Consumer terror or optimization?

August 01, 2024
Are you familiar with the hashtag #instagrammademebuyit? Over 75,000 products are tagged with it because they were purchased thanks to Instagram advertising, influencer marketing, or appealing product presentations. I could sometimes use this hashtag daily, because if the same fragrance, bag, or sneakers appeared in my feed for the hundredth time, I'm pretty much convinced my life would be different if I bought them. So, it's not unusual that I bought a bottle of Chanel No. 5 last week. Perfume is pretty much the only thing I really don't need, especially since I already own this fragrance and don't even particularly like it. But the bottle, Mesdames et Messieurs, is a limited edition and breathtakingly beautiful. At least, that's what I thought when I finally added it to my shopping cart late one night with a discount—after seeing it several times a day for weeks. When it finally landed on my table, the bottle was, of course, beautiful. But that was it for the two of us. No heart palpitations, no feeling of happiness, just 50 ml of eau de toilette in an admittedly pretty design and the realization that social media works brilliantly as a marketing tool.

Like many others, I value social media in general, and Instagram in particular, as a source of information about the beautiful and entertaining things in life, especially since I'm a visual person. But do I really want to be influenced and manipulated by algorithms? If that's absolutely repugnant to you, you should log out immediately and delete the app. However, if you simply want to limit the constant advertising program, you have several options: You can train the algorithm to display content that is unlikely to entice you to buy something – cat videos are a good choice here. You can unfollow accounts that post advertisements or sponsored content too often. Or you can keep shopping and wish lists to avoid impulse purchases. Another option is to ask yourself before every purchase whether you really need the product. Setting a limit for spontaneous purchases is also an option – unless you consistently practice being a minimalist and focus on owning only a few things. While that's responsible and more sustainable, it's also unglamorous and not fun.

Of course, I know what mechanisms lead to my desire to buy every scented candle in the world and my favorite sneakers in every new color, and to get excited about the 165th new fragrance from my favorite brand. You're simply interested in things you like. What others find completely superfluous is the Holy Grail for some collectors. Just as an Yves Saint Laurent "Libre" fan will be delighted with the 30th flanker, new Diptyque collections make me smile in and of themselves. The reason: The design looks different every year, but always beautiful. I'm also generally excited when there are completely new products. The fact that they're usually limited editions makes them all the more desirable for me.

In our affluent society, it's no longer about meeting demand and the mere flow of goods. Producers want to maximize their profits, and I, as a consumer, want originality, quality, and good design. I want emotions and the unique feeling of happiness when I can bring home the perfect loot. Admittedly, this is a tension that some call consumer terror, while for me it's conscious, optimized consumption. I'm not interested in just any scented candle; I want the best scented candle possible. So, I'll continue to want the limited editions from Diptyque and other favorite brands. And with every new bronzer, I'll have the unmistakable feeling that it's the right one. And I'll also covet the 95th vanilla scent—not because I need it, but because I simply want it. And I won't feel guilty about it, and neither should you. Because what can you say against optimization?

Christiane Behmann

Christiane Behmann holds a degree in social sciences and copywriting. After working for many years as a press officer for various companies, she ventured into self-employment in 2000 with her own advertising agency. In 2007, she founded the "Archive for Fragrance & Fine Essences" and was one of Germany's first bloggers at the time. Since 2009, she has also owned the Duftcontor in Oldenburg and is now back in her old profession.